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It has its issues, but it’s a good time with some interesting ideas to shake up the typical superhero formula. Julius Avery’s superhero flick releases this Friday, August 26, on Prime Video. The things they do with his character, named Joe Smith, are some of the most interesting and exciting of the whole movie.

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But the movie is all about challenging that role and questioning his place in this world. He sits pretty comfortably in his role as an aged out-of-his-time mentor that he’s played masterfully once before in Ryan Coogler’s Creed. (Prime Video)Īs I said, Stallone is going to Stallone, but there is an interesting layer of his performance that I really appreciated seeing. Pilou Asbæk (left) as Cyrus and Sylvester Stallone (right) as Joe Smith in SAMARITAN, directed by Julius Avery, a Metro Goldwyn Mayer Pictures film. The same can be said for the criminally underutilized Martin Starr, who is a lot of fun in the few passing moments he is given. She feels like an addition that the movie felt was necessary, but they never found a real reason for her to be around. The answer is that she doesn’t really have one. It got to the point where I found myself asking what her role even was in the story. Played by Dascha Polanco, Tiffany is not given much of anything to do. The weakest part of the film I think is the relationship that Walton’s character, Sam, has with his mother. But as a young actor, having to meet whatever energy (or lack of energy) he brings to every line cannot be an easy feat. You hire Stallone for Stallone, and he’s going to Stallone every time. Stallone is an incredibly “in his ways” type of actor. I can’t imagine playing off of Sylvester Stallone being easy for a young actor, and I think that proves true here. In the spotlight for the first time is Euphoria and Umbrella Academy season 3’s Javon “Wanna” Walton. Characters ( Samaritan‘s biggest shortcoming) The approach this movie took was wonderful, and it was a serious breath of fresh air in a frankly oversaturated market of superhero films that far too often fail to offer something new. We feel his importance and we feel how he affects those around him. (Prime Video)īy putting the world at the forefront, we feel the weight of the character much more. Sylvester Stallone as Joe Smith in SAMARITAN, directed by Julius Avery, a Metro Goldwyn Mayer Pictures film. We’ve strayed far from a time when Richard Donner and Christopher Reeve made people believe a man could fly, and Samaritanfeels like it fills a similar space. Every character lives in a town where another hero lives right around the corner. In the modern day, where the MCU and other projects are filled with “heroes” on every corner, heroes have lost their luster. Samaritanisn’t about the hero who used to be, but about what that hero meant to the citizens of the town. That’s really where Samaritanshines – its use of the mere idea of what heroes are. Samaritan and its unique role in the genre

But the way this kid is clawing his way to something better, and letting his hope drive him, feels misplaced in this world filled with despair. Homelessness has gone up and jobs have gone down. There’s an empty hero-shaped hole in this town, and that emptiness is felt everywhere. Samaritanis set in the fictional Granite City, and ever since the hero went missing all those years ago, things have just gone downhill. Javon “Wanna” Walton (left) as Sam Cleary and Sylvester Stallone (right) as Joe Smith in SAMARITAN, directed by Julius Avery, a Metro Goldwyn Mayer Pictures film.

But in the world of a story like this, that feeling is a beating light of hope that things can be better. Both of these movies, for all of their flaws (and there are plenty), capture the child’s perspective and innocence incredibly well. Samaritanopens with a scene that shockingly feels like The Adventures of Sharkboy and Lavagirl in the best way. Sadly, the execution of the interesting concept leaves too much to be desired and far too little to be remembered.

Prime Video’s Samaritanfinally delivers a story of idolatry, questioning what lies beyond the mask the people tend to worship. 2and The Suicide Squad, Stallone has been a mere inevitability for the vast catalog of superhero projects. Aside from minor roles in James Gunn’s Guardians of the Galaxy vol. Honestly, I am baffled it has taken this long for Sylvester Stallone to make his outing into the superhero subgenre.